Reservoir Dogs

I hardly ever use color in my stitches. I like the clean look of black on white, and I like to be neurotically consistent. I made a minor exception for this project, because how could I not? Without further ado, a slideshow with eight little nuggets of joy:

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It took a full pint of cheap wine (Bota Box “nighthawk black”) to get rolling on Reservoir Dogs. Action shot –>

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Then it took some Smirnoff to get through stitching Tarantino as Mr. Brown because it felt so meta…stitching a character played by a man who directed a movie that I’m stitching…12074499_889286584454621_5608179025502575907_nDespite all of that, I laugh whenever I look at Joe and Nice Guy Eddie. I think of Chris Penn yelling, “Don’t point that gun at my dad!”. He was so emotional about it. And Joe – has he always looked like The Thing, or is it just my version of him?

Although I will always respect Reservoir Dogs, it is not my go-to Tarantino film (at this point, that is Jackie Brown). This project did, however, make me wonder why I find it increasingly difficult to watch. I know I’m getting soft in my old age, as I recently had to turn off Bad Lieutenant when Harvey Keitel went into full frontal while doped up  and weeping, but I honestly don’t think it’s the violence. I could have stitched the cop’s severed ear, for example, but I chose not to. So what is it? I don’t know, but there isn’t really a hero, and maybe I’m constantly looking for one.

 

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